“When filmmakers want to shoot an elevator scene, they will spin the elevator around, like a lazy Susan, so that the character can disembark into a different set. This trick captures something about an elevator ride—the way that it can feel like teleportation. You go in here and come out there, and you hardly consider that you have just raced up or down a vertiginous, pitch-black shaft. When you’re waiting for a ride, you don’t think that what lurks behind the outer doors is emptiness. Every so often, a door opens when it shouldn’t and someone steps into the void. This is worth keeping in mind.”
Nick Paumgarten, Up and Then Down
The secret lives of elevators in the New Yorker
